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Lithia Artisans Market Proposal to Expand Show Space
• The Lithia Artisans Market (LAMA) needs more space and wants to use the nine parking spaces
between the Lithia Plaza and Main Street. LAMA is losing ground along the Calle Guanajuato to
restaurants. Though we applaud their success, we regret our loss of space. We are permitted to use
the parking lot near the recycling garage for overflow conditions but have found that space to be
inadequate. It is hot, smelly and noisy, and sales there are consistently and significantly lower
compared to those along the Calle. The ambience on the parking lot does not resemble that of the
Calle in any way.
To keep experienced artists and attract new ones, we need more space. Visibility is key to bringing
traffic to the market, and the nine parking spaces we request offer that. We currently lose potential
customers who don't realize the market continues along the Calle beyond the restaurant seating as
well as those visitors who find the parking lot's ambience uninviting.
Three possible schedules for Lithia Artisans Market in the space near the Plaza:
We would be open to any of the following schedules.
1. Saturdays and Sundays April through October
i. Saturdays 9:oo am to 5:00 pm
3• Sundays only
Backgound
LAMA is a non-profit founded by local artisans 29 years ago. Its current memebership of 9o
craftspeople has been juried for its excellence in the various crafts represented. LAMA is open from
March through October, weather permitting, from 1o:oo am until 6:oo pm on Saturdays and 11:oo
am until 5:00 pm on Sundays.
LAMA helped revitalize the Calle Guanajuato after the flood Of 1997. Due to these revitalization
efforts, the stream-side setting is now a coveted space.
• LAMA offers a friendly face to tourists, many of whom visit their favorite artisans on each trip they
make to Ashland. Tourists ask artists directions, dining recommendations and shopping advice.
LAMA helps support Ashland's image as a center for the arts and gives visitors an opportunity to
meet with makers. The Ashland Chamber of Commerce touts LAMA in its Living and Doing Business
Guide for its offerings of art and unique shopping opportunities.
LAMA's artists run microbusinesses that return funds to our local economy. A vital and visible
marketplace enables these businesses to stabilize and grow, goals advocated by Ashland's Economic
Development Strategy.
Open-air markets add vitality to our downtown and encourage customers to spend more time and
money, not just in the market, but in nearby shops and restaurants. Ashland's outdoor markets offer
walking-friendly destinations, safe and comfortable spaces for socializing outdoors and a safe place
for the community to gather.
Benefits of our Plan:
1) Gives LAMA better visibility and pedestrian traffic flow and thus better sales for artists.
z) Infuses the Plaza with the health and vitality of an ever-changing marketplace.
3) Enhances the cultural ambience of Ashland with regional arts and artisans unique to Southern
Oregon, and live professional acoustic music in the downtown.
4) Creates an interesting gathering place for the people of Ashland to connect in a safe and friendly
environment.
. 5) Attracts people to the downtown area, benefiting artists, merchants and restaurateurs alike.
6) Brings people of all ages and demographics to the downtown area.
• 7) Lends the Plaza an attractive ambience of entrepreneurs, musicians and artists as opposed to its
current appearance as a hangout for vagrants.
8) Supports Ashland's Economic Development Plan to promote entrepreneurial business
development and promote expansion of existing businesses.
q) Creates a pedestrian-safe area instead of the current, potentially risky mix of automobile and
pedestrian traffic in the Plaza.
1o) Creates a fresh, new feel and look for the Plaza.
Risks of our Plan
i) Our presence may antagonize the merchants if they perceive that their customers cannot find
parking. LAMA is willing to create signs with arrows to direct cars to the parking garage on
Harganine, spaces on Water Street past the bridge or public parking on Pioneer and Siskiyou. We
would consider approaching the owner of Claycomb's Plaza Mall about creating a paid lot where
there is currently private parking.
z) Our presence may antagonize car drivers competing for parking on the Plaza.
3) If not signed clearly and barricaded completely, our presence may present a dangerous situation
where drivers could drive through our market. LAMA will provide substantial signs and barricades
that will prevent cars from entering the area during market times.
4) Load-out could be chaotic (see load-out plan below).
Load-out plan
a) Artist's booth must be ioo% broken down before getting a load-out pass from market
manager to move car into loading area.
b) Artist has only 15 minutes to load his/her car inside the barricaded area.
• c) Maximum of six load-out passes issued at one time.
Project for Public Spaces oD5 org/pdfWF5 SUMMARY-REPORT 2oi2.ndf has this to say about outdoor
markets:
Public markets, even if they only operate one day a week, act as an anchor for local
businesses, encourage spin-off development, enhance tax bases and real estate values, and
ultimately keep local dollars in the local economy.
Additional materials in your packet:
• Drawing of nine parking spaces with canopies
• Photograph of the nine spaces with cars
• Flyer for LAMA
• Business card with Facebook information for LAMA (Please Like Us on Facebook!)
• Responses from LAMA's meetings with merchants regarding this proposal
• Brochure we distributed to merchants
• Reprints of selected artist interviews from the Locals Guide
•
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• Responses from LAMA's survey of downtown merchants
Marcus Scott, the Lithia Artisan Market Manager visited downtown merchants in February and March,
2012 to get their response to our proposal to add space near the Plaza. He distributed a brochure (copy in
packet), business card and a self-addressed, stamped post card for them to mail comments about the
expansion.
He canvassed 30 plus businesses, many of them extensively. His notes from these meetings are listed
below with conclusions at the end of the document.
Key:
+ Indicates strong advocate with LAMA
- Indicates strong opposition to LAMA
= Indicates not opposed, not in favor. Neutral
? Indicates we don't know
+ plmg) indicates, yes, but without taking parking spaces.
Sesame- Tom Beam
Tom understands the reciprocal nature of his and our businesses. Wants to help in whatever way
he can. Does not want to lose us on the Calle. I assured him we want to grow, not contract and wish to be
in both places. He is a good friend to the market.
= Thread Hysteria cathy
She thinks the idea looks good. Worried about the safety issue, pedestrians walking out in front of
cars, etc.. "I think the market looks and works well where it is."
Grilla Bites Moni
YES! and from postcard:
"Having the Artisans Market on the plaza during the summer would be great!! Visitors
are not so aware of it being on the Calle." (signed) Muni Dubois
LouieS Mellissa
Emphatic YES! Likes our presentation, our proactive idea approach. Needs more space for her
restaurant so this helps alleviate some space issues.
"Thanks for dropping by. You have my full support with the plaza expansion! (As a 2nd
choice.) My first choice would be to see artisans on the edge of Lithia Park. (signed)
Melissa Jensen, Louies
?Flower Thyme Tracy, manager
Left the info, talked awhile. Waiting on postcard.
Mix-- Jamie
Told me to talk to Peter Schmeck at City about an idea he has to redo the plaza and make a bigger
parking area where we are proposing our idea.
She would like to see us down Water Street. Would be willing to stand up and speak on our behalf
and work with us. Sees a great relationship between Mix and artisans. In general, good idea. Expansion is
a benefit to all.
•
Munchies Michael •
Likes our idea and vision. Sees a great energy between the artisans and restaurants, a symbiotic
relationship. Sees how this can alleviate the space stress of the Calle.
Solutions to possible issues...
Valet Parking as a possible solution to the loss of nine spaces. Where, we talked about Water and
Van Ness streets.
Maybe we could allow some of the merchants space at the new market to alleviate the competition
stress.
Pkng) Rocky Mt. Chocoates Renee
Not too opposed. Pretty good idea. Could help to eliminate some of the homeless issue. Where
would they go? Would they end up in front of my space? Etc.
Parking is an issue.
-ArtFX Jewel left the packet. Feedback negative
"This is a proposal that we are not in favor of. There is a farmers mkt. next to us on Oak
St. during the summer months and while we were in favor of the idea initially, we found
little or no drawfrom this venture, but rather the opposite. Customers of ours were
frustratedfor the lack ofparking. Taking another nineparking spots wefeel will only
compound these di iculties forArtFX and our customers. Thank you for allowing our
response. "(signed) ArtFX
+ (Sundays) Paris Green on Oak Street Joyce Fox
No problem with the idea. In fact, likes the idea, the concept. Wouldn't be opposed.
Said she would like a different layout for the Saturday Fanners Market instead of the backs of booths
facing the store entrances. •
"Love the idea of the artisans market in the plaza area but on SUNDAYS ONLY. Don't take
away customers from storefront (this is in reference to Sat growers and Crafters having
back of booths to stores)." (signed) Joyce Fox, Paris Green.
+Ems Blends Emily
No problem with the idea. Likes the concept. Makes plaza more like a European city, Paris,
France, for example. Talked about the impact of the Saturday Fanners Market. Wishes it was configured
differently; that would make it better. Middle, back to back rather than back to entrance.
Big advocate for the Lithia Artisans Market.
- NimhuS Ken Silverman
Parking is a major issue as is the idea of having competition right across the street, not a fan. We
talked for about half an hour. He is not opposed to us in front of park, in plaza to a degree but not taking
parking. Believes a fundamental difference between us is that we don't pay much to operate*
Not a big fan of our idea. Like Ron Hansen, believes this is a fairness issue. I see it as a status
thing. Brick and mortar don't want too much competition and seem to think there is not a level playing
field.
- Gold and Gems Ron Hansen
Strong opinions, not a fan of this idea on multiple levels. Parking... Ashland should have a parking
structure where the Claycolm's Plaza Mall parking lot is today, corner of Water and Main.
Ron doesn't believe the European model of pedestrian plaza works in America. We drive cars to
where we are going. We expect to park where we are going. He sees a net loss to his business from loss of
parking and competition. .
• Gold and Gems believes it has paid its dues, expensive dues in the city of Ashland. The Plaza is
some of the most sought-after real estate on the west coast. Lithia Artisans Market shouldn't be able to
just waltz in and use the plaza, the center of town.*
Ron and I talked about compromise positions with the proposal, eg, a trial month to see if the
idea works. He says he knows it will work for us, doesn't think it will help his family business, and doesn't
want to open a Pandora's box.
Also, in Ron's opinion, we pay too little for our space.` He thinks it is a question of fairness. Our
proposal is not fair, he says.
? Renaissance Rose left packet, back twice. Going back again for the third time.
? Outdoor Store left packet, talked with manager.
= Martollls Pizza talked with busy owner, left info. He seemed ambivalent.
+ pkng) Adelante Alicia
Why not in front of the park (Ken Silverman also)?
Don't like the idea of sacrificing parking. Already tight in downtown. Why not on the aisle
between Main and the parking area? Get more creative with the use of the plaza itself but not the parking
spaces. Not opposed to the general concept of the artisans out in the open.
+ (parking?) Sacred World - Kaiyo, owner
Likes the idea of more exposure for the artisans. Thinks it will be a tough sell because of parking.
Not a big concern for him because he has a great parking space for his customers behind his store off
• Granite.
_ (parking) Blue Heron Gallerv --.rim nelson
't'hinks this will be a tough sell because of the parking. Pretty neutral about the idea in general.
Bug a Boo Stan, Connie's husband
Big fan of this idea. Wants the plaza totally for pedestrians. Likes our, idea, thinks it is a good start
but would go even further. More like Boulder, Colorado. Handicap access important. Outside-the-box
thinking may be appropriate with solutions such as tunnels, gondolas, etc.. Likes European model of
plaza, zocalo, etc. Advocate for the market. These are some of our strongest allies.
"We would like to have the Growers and/or Crq/ters Artisans Market on the Plaza.
It would make our downtown more lively and interesting and be an added asset. Maybe
offerfree transport to near parking lots (to offset the concerns I have heard from some
store owners around the plaza). Similar to the one offered at the Armory on Tuesday
throughout the summer." (signed) Connie, Bug A Boo
=?Ignition Gallery_ Mark
Left info. No strong initial opinion.
=?Flower of Life Crystal Gallery in Claycolm's Plaza Mall
Left info with Mateo and talked. Nice guy, no opposition, lots of logistical questions. Times, days,
etc. Will pass information to owner. Waiting on reply.
• = Ashland Optical - owner, Kenneth Ehlers OD.
No problem with the idea. Sees that some on Plaza might have an issue with parking, not really
him. Might see a residual uptick in his business, hard to tell. Positive to idea...
+ Pkng) Ind Imports Sean
Parking is a big concern, but likes idea. Doesn't want to lose parking. Plaza sounds good. Likes the
festive feel. Maybe on a smaller scale, only in plaza, to keep parking for customers. Cool concept. Filled
out card saying so.
+ (-Pkng) Hana Sushi Bill Barchet
"I support the expansion of the Artisan Market into the center plaza as long as we
do not lose any parking spaces, nor inhibit trq,ffic or loading."
Treehouse Books Jane Alraquist
Her mother started the market when she was zl. Very strong sentiment-about the Market. Thinks
it is a shame we have lost so much of Calle to restaurants' space allocation. This idea helps. Brightens up
the plaza.
"Ourfamily considers the Lithia Artisans Market a lively asset to downtown
Ashland. We enjoy thefestive atmosphere that itprovides to our neighborhood. The
artisans are contributing members ofour community and shopping local really means
local when we support their art. The live music provided by the market also creates a fun
vibe. Long live the Lithia Artisans Market"
(signed) TmeHouse, Jane Almquist, Dirk Price and Family
Reds Threads
"We think this is a great idea! Only a few parking spaces will be closed which isn't
a big deal to us. The foot traf is would help bring in customers to our store. Plus, anyone
passing through will see what's going on and want to check it out. Looks like an excellent
plan and thank you for asking for our input. Good Luck." •
? Chamber of Commerce Dana Fortrniller
She immediately mentioned the neighboring businesses. She was not overly pro or con. She urged
us to canvass the area, which were doing.
Anonymous Reps on s (No forwarding address or signature, but responded)
1. + (parking) "I think having approved vendors in the plaza is a good idea. My biggest
concern is parking. I do not think we can afford to lose nine parking spots on the
weekend. "
2. + (business licenses, business equality) "We are supportive ofbusiness in Ashland. As long
as all businesses pay like fees for doing business in fairness. If all the artisans
have a business license they should be allowed to do business.-We don't believe the
city should object to any businessfriendly activity. "
3. + (parking) "Get the City to buy the vacant lot at the corner of Water and B create
a parking lot with public restrooms. Then you can take the parking spaces away from the
plaza and I won't complain."
• Conclusions...
3o responses (26 minus the ?'s)
to Yes
8 Yes, but don't take away any parking
6 Ambivalent
3 No
4 ? (we don't know yet)
88% positive or neutral with adjustments to parking.
38% positive regardless of parking
69% positive w/no impact on parking. We don't take the parking, but only smaller spaces in plaza, along
park, etc..
8% opposed (3 respondents)
23% neutral
In general the tone is accepting and pleasant. No one is angry; it is all very cordial. What comes
up for me is patience. Lots of people involved in this decision. We are making big inroads, but much to do.
"Please note: LAMA has analyzed both what the organization pays Parks and Rec for rent and what an
average individual vendor pays in commissions and thinks that our rates are comparable to the going
rates for real estate in downtown Ashland.
•
•
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Bill Francis - Potter
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Written by: Marcus Scott
1
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Bill Francis in his booth can be found at Rogue
Valley Growers and Crafters Market and Lithia
Artisans Market.
Bill Francis has been a stalwart member of the artisan community of the Rogue Valley for over a decade. One of the hardest working artists 1 have
ever met, Bill is a pure craftsman, getting as close to the source as possible and always seeking to better himself. An accomplished musician,
potter, and a jack of many trades, Bill Francis is a modern day renaissance man.
How long have you been a potter?
BM... I first started making pottery in 1990. Pottery became my primary source of income about the year 2000.
How long have you been here in Ashland, and why did you choose to settle down here?
BW... I have been living here continuously since 1999.1 chose to stay here because of Ashland's charm, its social climate, and it's mild winters.
My childhood was spent in Juneau, Alaska, and my adoles nce through early adult years in Bend, Oregon. Winters in both locales are chilly. The
Rogue valley's climate provides for a larger variety of outdoor markets, with longer seasons than other areas of our state. The region also has
respect and support for local handmade goods.
1 of 9 10/10/12 1:00 PM
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Coffee mugs created by potter Bill Francis of
Ashland, Oregon.
What did you study at Southern Oregon University, and was that a good experience?
Bill... I was a Business major with a minor in Ceramic Studio Art. I use everything that I learned at SOU on a daily basis. I had some great
teachers at SOU. It was a very good experience for me! Majoring in business gave me the tools and confidence to start my own business. I had
been working in restaurants for about 15 years, and originally had thoughts of opening my own small restaurant. However, my pottery courses
gave me ideas and dreams of a very different lifestyle. I finished school and thought, "I just have to give pottery a chance, I want to see what I can
make happen." I have been running my own pottery business ever since.
As you studied ceramics at SOU, what traditional styles realty stirred your desire to go deeper into the medium?
Bill... Ever since Marco Polo returned from China, Western potters have yearned to reach the pinnacles long ago claimed by Asian masters.) was
enamored by the great stoneware traditions of Japan, Korea, and China. Sung Tzu Chou ware from China has always wowed me! It is very rigid
and perfect in form, contrasted by scratched sgraffito decorations bearing a spontaneous sketch-like nature.
I was introduced to Raku pottery at SOU. It has it's origins in the Japanese tea ceremony. Red-hot tea bowls are drawn from the kiln, quick-
cooled, and promptly used in the ceremony. American Raku is an embellishment on this practice and is intended for aesthetic purposes.) was
taught the latter technique by my professor Jim Romberg (Jim's mentor was Paul Soldner, an artist very instrumental in bringing Raku to the
U.S.). Jim is internationally known for his work. It was such an honor to work with him. In his presence came the awareness that the sky is the
limit when it comes to ceramics. You can keep it simple or become a rock-star!
II yy
The beauty of well crafted glaze. The pottery of
Bill Francis.
I'm impressed with the natural beauty of your pots. Demystify the concept of glazes for us.
Bill... Glaze, pottery, glass, and stones all share the same building blocks - silica and minerals colored by metals. First, think of clay as
completely decomposed granite. The firing process turns it back into a stone, hence the term stoneware. Glaze is basically glass with a touch of
metal for color. This glass hasjust enough clay in it to become one with the unfired piece of pottery. So when you fire the pottery you have a stone
coated with colored glass.
Working with glazes requires perception. Trial and error experience used in tandem with the minds eye predicts what glazes will look like in
finished form.
What do you believe it takes to make a living doing this sort of thing?
Bill... My belief is that a small business has to work on paper and in your heart. This means a person needs to make money, but if sales are down
you are still doing what you love. If you tart accomplish success in both you are indeed wealthy.
As a business person, every step you take is a leap of faith. Persistence is the name of the game. In hard times I tell myself, "something has got to
give, and it's not gonna be me."
2 of 9 10/10/12 1:00 PM
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Ashland, Oregon.
Compare the experience of selling at the Saturday Growers and Crafters Market on Oak Sheet to selling at the Lithia Artisans Market
on Calle Guanajuato, behind the plaza.
Bill... The Lithia Artisans Market is held along the creek. It is a truly beautiful location, but I don't believe it is getting the visible exposure or
customer attendance that it really needs to remain viable for me. Unfortunately, I sometimes feet it is "out of site and out of mind".
The Oak street market location is much more visible and physically accessible. You can see it from both Main Street and Lithia Way as you travel
through downtown Ashland. The customer traffic is often twice as large as the traffic that I have experienced as an artisan along the creek. I love
the Creekside location, but honestly my sales are often doubled just a block away.
Bottles by Bill Francis.
Please give us your thoughts about the phrase, "Support Local, It Matters!"
Bill... I often see a bumper sticker that reads, "If you bought it, a truck brought it." 1 think this idea sucks. What about the jobs that have been
outsourced, and all the fossil fuel used to ship those goods. The cost to the environment is huge? Is the trade worth it? How many jobs could be
created by making these goods locally.
I believe our society suffers from a disconnect of origins. Where does it come from and where does it go? These me the questions we need to be
asking ourselves. Buying local gives you the opportunity to put a face and name with the products and services that you buy. When you buy local
you are reacquainted with the origin.
Buying these goods creates jobs. Local businesses take dollars earned and spend locally. Your dollars trickle back throughout the local economy.
When you buy local you buy jobs for your neighbors, it's that simple.
A
Bowl with bamboo handles by Bill Francis.
What do you think would be an important step that the City of Ashland could take to help improve the income earning potential of
home-based artisan businesses like your own?
Bill... The Lithia Artisan Market is investigating expansion into the plaza. From an artisans perspective, that would be Great! I know the Lithia
Artisan Market has been working hard on this idea, and I believe that this vision could be mutually beneficial with positive outcomes for all of the
downtown community.
3 of 9 10/10/12 1:00 PM
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"One more thing to love about Ashland", is a phrase I often hear from customers at the Oak Sheet Growers and Crafters market. I think that if the
Lithia Artisans Market were in the plaza it would create even more fanfare for the city of Ashland.
Pottery by Bill Francis.
You always have your guitar with you when I see you at markets or shows. Tell us about your love of music.
Bill... When people ask me about how I am able to do my art or music I often respond, "that side of my brain just works!" I believe that all of my
creative efforts come from the same origin. My love of music is very similar to my love of art. I just chose to make a profession out of pottery. In
my world, pottery is what puts food on the table, and music feeds my soul.
Bill Francis Pottery can be found at the Rogue Valley Growers and Crafters Market on Tuesdays and Saturdays, and at the Lithia Artisans Market
on Sundays.
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About The Author:
Marcus Scott
I am a local artisan specializing in making stone beads. I write articles for the Locals Guide, primarily the artisan profile interviews.
http://thestonet)ead.wordoress.com
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& Post to Facebook Posting as Marcus Soon (Change) Comment
V Carol. Marashi . Subscribed - University of Houston-Clear tzke-Masten In Transpersonal
Psychology.
Very informative! I now have a greater appreciation for her products. Thank you for going in
depth and personal!
Reply - 2 - Unlike Follow Post - August 30 at 10:36am
Stella Lyn . Birth and Postpartum Doula. Community Herbalist. Apprentice Midwife at self
employed
Great inter newl These ladies are the real deal when it comes to listening to mothers and
providing individualized care. If gentle, safe, loving birth is what you want, this is the
practice! I am so glad these three midwives are available to mothers in the Valley!
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Ashland, Oregon ~J Ashland Oregon LocalsGuide People You Know - Places You Go
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Dave Summers - Elf Mountain L,eauier (D7
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Written by: Marcus Scott
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Dave Summers of Elf Mountain Leather in his booth at
Lithia Artisans Market.
Dave Summers has been a member of the Lithia Artisans Market for many seasons. I have been in awe of his shoe making skills as long as 1 have
known Dave. His attention to details is impeccable, his style is rustic, woodsy, elven for lack of a better word. The time of his self created
enterprise, not surprisingly, is Elf Mountain Leather. Elf Mountain specializes in hand made, one of a kind shoes and boots, as well as a wide
assortment of other cool goodies created from leather. Dave is a kind man, a hard worker, an attentive father, and a good friend. We spoke briefly
about his craft and these are his thoughts.
What inspired you to become a leather shoe maker?
Dave... 1 have always loved leather goods, even as a kid. I love the smell when they are new, and the wom look down the road. Once I bought a
pair of lightweight moccasins and fell in love with them. Sadly, they did not last more than a year because my foot was sliding off the side of the
sole. I tried patching them but it did not solve the problem. Heartbroken 1 threw them away and thought to myself, "moccasins should be made
1 Of 9 10/10/12 1:04 PM
with repairs in mind". Soon after that experience I set out to make a moccasin that would not allow the heel to slide off the side of the sole.
• n
i
Boots by Dave Summers, Elf Mountain Ixather
at Uthia Artisans Market in downtown
Ashland.
How did you learn your craft?
Dave... I first learned about the Apache Style moccasin that I make from a short article in a hand-crafters encyclopedia. Then I set out to create
my own style. I did a lot of trial and error experimentation for about 6 years. After that period of creative discovery I felt confident I had an
excellent product to offer the market.
Do you have any mentors in your life who have helped you become the artisan you are today?
Dave... I have bad no mentor, but I would talk to moccasin and shoe makers at festivals and pick. up lips on gluing, and purchasing supplies.
Other than lips, I am a completely self taught artisan.
You studied psychology in college. Do you use the skills you learned in college as an artisan?
Dave... 1 have a master's degree in cognitive psychology and I do indeed use it while making shoes. In fact, I make shoes for your head. Seriously
though, I have professional skills from graduate school, and I like to do healing with people. Sometimes people will ask me to hold an intention,
or thought, while building their shoes. After 16 or more hours of focused attention the finished product is like a talisman.
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The hands of leather worker Dave Summers.
You are the only handmade shoe person I have ever met. Are there many of you out there, or is your craft a forgotten art-form?
Dave... There are just a few shoemakers out there. I think it is not easy to get started. Materials are expensive and no one wants to wear poorly
made shoes. 1 am doing historical preservation.
Why is handcrafted important? .
Dave... Handcrafted shoes have a special vibration. They are full of love and vibrate harmoniously with the Earth. Not only that, shoes made
exactly for your foot fit perfectly and are therefore super comfortable. I prefer to make the shoes specially for the individual person. There is no
pair of shoes more comfortable than the pair made just for your feet.
What distinguishes you from other shoe makers?
Dave... 1 make shoes for people so every pair is different, just like people.
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Leather purse made by Dave Summers of Elf
Mountain Leather. Available at Lithia Artisans
Market in downtown Ashland, Oregon.
What items are available to purchase out of your store, Elf Mountain Leather, when you set up at the Lithia Artisans Market?
Dave... In addition to moccasins I make purses, messenger bags, backpacks, hip pouches, wallets,joumals, wrist cuffs, and juggling balls. I have
made some stylie vests and pants too. Come by and check it out as it is always changing, always new.
Where did you come from and why did you choose to settle down in Ashland?
Dave... I moved here from Nederland, Colorado. My daughter was 4 and we have loved raising her in Ashland. I like Ashland because it is
progressive and outdoor oriented.
In your opinion, why is the local arts and crafts movement important?
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Dave Summers working on a pair of handcrafted shoes while
showing at Lithia Artisans Market.
Dave... 1 live like many artists. I have a lot of faith, and have leamed to appreciate things. I also save a lot time and money working at home. No
better place to make a positive impact than right in your own backyard.
What do you most enjoy about being a member of the Lithia Artisans Market?
Dave... I enjoy being with like minded people. There are some wonderful artists in the Rogue Valley and I am honored to be a part of the
community.
What other big shows are you doing this year?
Dave... I'm vending at Faerieworlds, as 1 do every year, and hopefully Oregon Country Fair this summer. 1 am juried into the Fair and looking
for a vendor who wants to share their booth with me. Anybody out there got room in their booth for a leather shoe maker?
Tell us something about you that has nothing to do with your art-form.
Dave... Life is good and we are all the artists of our own lives. 1 am convinced that we are all one, and happy that no two of us are alike.
For more information about Dave Summers and Elf Mountain Leather go to... elfmounmin.com. You can also find Dave down on Ashland
Creek at the Lithia Artisans Market, open weekends from April until mid-November (weather permitting), behind the plaza, in lower Lithia
Park, downtown Ashland.
For more about Lithia Artisans Market go to lithiaartisansmarket.com or find us on facebook wwx~,.facebook.com/I.ithiaAnisans.tarket.
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Written by: Marcus Scott
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Karin Mendoza-Wittke is the owner of the business,
Alma-Mia Jewelry, and shows regularly at Lithia Artisans
Market in Ashland, Oregon.
Karina Mendoza-Wittke is an artisan who has been making jewelry most of her life. She grew up in both Mexico and Germany, spending roughly
equal time in both countries as a child. She recently became a U.S. citizen but retains strong connections to Mexico and Europe. A gypsy lifestyle
and creative mind led Karina down the road of the artisan, and she has taken that worldview with her wherever she makes her home. Karina took a
break from the market for most of last year, but she is back to selling regularly at Lithia Artisans Market and her pieces are better than ever. Her
business is called Alma-Mia Jewelry, translating to Soul of Mine Jewelry.
How long have you been making jewelry?
I started when I was 9 years old, during a fabulous summer vacation traveling through Europe along the coast of Spain and Portugal, with my
mom. Our small family of 3 women was short of money, so we decided to invest all we had left in beads, make necklaces, and sell them on the
beach. We taught ourselves, and were quite successful. We continued traveling like this for the rest of the summer, through France and all the way
home to Germany. This unique experience stayed with me forever, and was the beginning of my path as an artist.
Jewelry making became an integral part of my life. It has gone with me to all the places I have lived, the stages of my life as a girl, a woman, a
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mother... It has been an anchor and a pillar throughout my life.
How does your multi-cultural background influence you as an artisan?
Being multi-cultural, and not being "burdened" by only one cultural identity, has given me a certain "lightness" about things.I am able to draw
inspiration from anywhere. I have found more stability in my art than in my surroundings. My art is also a very "portable" means of income and
security; therefore, it is more a part of me, and I give to it, as much as it gives to me.
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Karina is an artisan and a mother of two boys. This is
a shot of Karim and Luke, when he was a Ittle guy at
the market. Luke graduated from AHS this past
season.
Who would you consider a mentor in shaping your creative self?
My mother, my grandmother, and my father... all for different reasons.
My grandmother lived through the German post war depression as a single mother of two girls by working and creating with her hands. She
sewed, knitted, crocheted, and looped rugs and wall hangings to make a living. She had a sense of excellence about her work, and her art became
her means of being a provider, and her refuge. It became second nature to her.
In mm, my mother also became an artist. She is a painter and gallery owner in Puerto Vallarta, Mexico. Growing up in Germany, we traveled a
great deal throughout Europe, visited a lot of museums, spent a lot of time in Gaudi's world, and places full of history and beauty. I believe that
helped shape my "eye" and sensitivity to form, feel, and aesthetics.
My father is an inventor in Mexico with an incredible mind. I feel his influence when I come up with new designs and want to make sure they are
notjust beautiful, but functional and durable. He shines through the "workmanship" side of my art. I also inherited his business sense when I
stepped in for him and managed the family business as a teenager.
Did you learn your trade or are you self taught?
I am completely self taught in my craft. I learn by thinking, imagining, and so doing it.l have played within, explored, and worked in many
mediums like fine bead-work, leather, feathers, weaving, etc. Every technique I learn adds to the way I see and make my art.
Many ideas for new designs, or issues related to the function of a design, have come in dream form. I dream that I am making or designing
jewelry, and see the finished product. In the dreams I become aware that I am dreaming, and I pay very close attention to what I am doing within
the dream. The next day 1 will have a very inspired and productive jewelry-making day, sometimes unable to keep up with the flow of new ideas.
You make very unique dragonfly mobiles. Tell us about those...
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Karina makes very unique dragonflies out of a
stick, copper wire, and handmade papers. Cool.
I do have to say I love my dragonflies! Each and every one of them is different, and has their own personality. They are a pain in the butt to make,
because the process is so incredibly tedious. This is when my entire house gets taken over by "swarms" of dragonflies, in different stages of
creation. I only make them once a year, during the winter months, after the Christmas season. I don't always have them, but they are great
company!
What do you like most about being part of Lithin Artisans Market?
It really feels like a great big family. During some challenging times in my recent past, where finding inspiration and space were not as readily
available, I took some time off from being an artisan. I really missed the community the market offers.
I love the market as it allows me a venue to let my spirit shine through the work that I do. When 1 see the affect my work has on others, and the
joy it brings them... well... it makes my heart smile.
How long have you been a member of Lithis Artisans Market?
I have been a member since 1994 - about 17 years now. I have been involved at different levels throughout that time. I have served on various
committees. It is a non-profit volunteer organization that benefits the entire community, so it is important to give back as much as you can, and I
looooooove the people!
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Detailed earrings made of amber, peridot,
Mite, and handpounded sterling silver.
Tell us something about yourself that has nothing to do with being a jewelry artisan.
I love traveling, and 1 love dancing!
What is your favorite place to visit and favorite travel memory?
I have a deep connection to movement; therefore, I have to say, I love going to the ocean. It feels like an extension of my soul. However, I'm not
attached to a favorite place. It is more about the feeling 1 have when I travel. The sense of freedom, feeling an inner direction, and the limitless
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possibilities, instead of experiencing a destination.
My favorite travel memory is during a night dive in the Bay Islands of Honduras. I reached neutral buoyancy, turned the light off, and in complete
darkness felt the water. As 1 moved my hand in front of me, the phosphorescence in the water traced the movement of the water between my
fingers, and manifested in what seemed a moment of creation of stars.
You are also a court room interpreter. What languages to you speak and how did you come to realize your gift with languages?
I speak German, Spanish, English, and technically French, though 1 don't get to practice it much here.
When 1 moved back to Mexico, with German as my main language, I was put into an all-English school. I was around 10, and it just never
occurred to me that languages were hard.
How does your artisan life merge with your interpreter life?
I believe they create balance in my life. Sort of a left-brain/right-brain thing. I am self employed as both, so the scheduling keeps me flexible and
on my toes, while also providing me the freedom to just be gone, once in a while.
Website for Karlnas work... wwwA]maMiaJeweiry.com
Kerins can also be found most weekend at the Lithia Artisan, Market, along Ashland Creek in downtown Ashland, Oregon.
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About The Author:
Marcus Scott
1 am a local artisan specializing in making stone beads. I write articles for the Locals Guide, primarily the artisan profile interviews.
httl2-/Ithestonebead.wordpress.com
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Carola Marashi - Subscribed - University of Houston-Clear Lake-Masters in Transpersonal
i Psychology.
Very Informative! I now have a greater appreciation for her products. Thank you for going in
depth and personal!
Reply - 2 - Unlike - Follow Post - August 30 at 10:36am
Stella Lyn . Birth and Postpartum Ooula, Community Herbalist. Apprentice Midwife at Self
employed
Great Interviewl These ladies are the real deal when It comes to listening to mothers and
providing individualized care. if gentle, safe, loving birth is what you want, this is the
practice! I am so glad these three midwives are available to mothers In the Valley!
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Ali Kalemkeris - Boweruiru anu wuipany
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Written by: Marcus Scott
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Ali Kalemkeris of Bowerbird and Company can be found
in her booth at Lithia Artisans Market on Saturdays and
Medford Farmers Market on Thursdays.
Local business owner Ali Kalemkeris of Bowerbird & Company has been making and selling eco-friendly bath and body products at the 1. i thia
Artisans Market since 2007. Inspired by nature, particularly birds, her eco-conscious business gives a portion of sales to non-profits that work to
conserve land and bird habitat. This year her products will be featured in the coveted gift bags at the 33rd Annual News and Documentary Emmy
Awards held in New York City on October 1st. What I can tell you from experience is that her soaps work really well, they smell great, and they
feel like a treat for the body.
How long have you been making soap?
Ali... About 8 years altogether. The first two years I spent researching, experimenting, and trying to invent a signature but of soap I could be
proud of. All Bowerbird & Company products are formulated from scratch, using only the best organic and wildcrafted ingredients. Currently, I
make 20 different handmade soaps, 5 flavors of lip balm, and a very popular bath tea.
1 Of 9 10/10/12 12:57 PM
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Why did you decide to become a soap maker?
Ali... At a very young age, my parents saw me setting up make-believe stores right in the living room, selling various things I had gathered from
around the house. I would write up an invoice and talk to them about the products 1 had for sale. I would always package their purchases in a bag
and write down their contact information. One time my dad visited my make-believe library and after I checked his books out I asked him for his
phone number to "update my records" and he said "444-4444" in a funny voice and we started laughing uncontrollably and it got down right silly.
I think 1 had to close the library after he left. So, really my parents were my first customers and my brother always had to play along, too. I think it
was clear that I would eventually end up running my own business.
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Bowerbird & Company handmade eco-friendly
soaps.
Later, after I graduated from UCSB, I started working at my father's company. I was struggling with severe eczema and psoriasis and developing a
strong chemical sensitivity to various commercially made products. I even had a reaction to our laundry detergent. I couldn't find a natural bar of
soap that alleviated my symptoms and I felt motivated to search out other natural bath and body products that could help heal and repair my skin.
So, I took classes from three different local soap makers and decided I loved the idea of having my own line of products and making my own
soap. In the end, l found the best medicine for my condition-my own line of ern-essentials for bath & body!
You call your business "Bowerbird & Company". What is the significance of the name?
Ali... When I was developing a business plan and theme for the collection, I felt drawn to birds. I had been going on a ton of Audubon excursions
and field trips at the time and felt very inspired. I started to find these quotes and obscure stories about birds everywhere. It didn't take long for me
to realize I had already chosen the theme of birds, subconsciously. Shortly thereafter, the bowerbird caught my interest for its art-making instinct,
which perfectly dovetailed with my past work in assemblage and found object art.
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All the original artwork on Bowerbird &
Company's labels is done by local illustrator
Dimitri Kalemkeris, Ali's husband.
Why is it important for people to purchase your handcrafted soap?
Ali... I really feel my bath & body products are a gift to the consumer. Beyond the quality ingredients I use, is the fact that I put life into each of
my products, which is rare in this time when products are mass-produced in inharmonious settings. I don't make products if I'm feeling down or
having a bad day. That way, I only breathe positive energy into each bar of soap, lip balm, etc. I'm using organic, wildharvested, and wildcrafted
ingredients. My products are free of harmful panthers & phthlates and there is no animal testing done. The soaps are vegan and customers have
said that my soap stays firm, has a great lather, & lasts a long time. I've also eliminated the use of palm oil and palm kernel oil found in most
handmade and commercially made soaps. Their production is a major contributor to minforest destruction & habitat loss for a variety of species
across the globe.
Your products are excellent and they smell so great. How did you come up with the combination of scents you use?
Ali... All of my products are unique in that they are scented with 100% natural essential oils. Essential oils are made from steam distilling flowers,
plants, & other botanicals directly and then collecting their oils. Our skin is the largest breathing organ on our bodies and we should really only be
using bath & body products that are free of harmful perfumes and synthetically produced fragrances.
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How do you source your raw materials?
Ali... Almost all of my supplies come from businesses in the Pacific Northwest. A majority of them are based in Oregon. I get my lavender from
an organic grower right here in Ashland.
Lip fix by Bowerbird and Company,
at Lithia Artisans Market, Saturdays
and Medford Growers and Crafters
Market, Thursdays-
Explain how Bowerbird & Company is so ecologically sustainable company?
Ali... For every 1000 bars of soap crafted, I produce less than 3 lbs. of trash. I try to recycle most of my supplies, such as my signature
egg-shaped mold trays that the soaps cure in. All of my products are fully biodegradable and I don't use any plastics in my packaging. I am always
looking for ways to reduce waste and minimize my footprint.
Your products were chosen to he featured in the gift baskets at this year's Emmy Awards. Congratulations. How did that come about and
how does that make you feel about your business?
Ali... I'm still not sure how they heard about my products. It's very humbling and it was a great surprise! I received word from them and was
excited about the opportunity and exposure this could bring for my business. I suppose it's possible that one of my products was passed along to
their staff by someone who thought it would be a good match for their awards show.
What do you most appreciate about being part of the Lithia Artisans Market?
Ali... 1 have certainly been surprised by the vast array of visitors along the creek. Locals who count on me being at my booth every Saturday are
able to stock up on their favorite products while out running other errands. They also bring family & friends to listen to the live music and chat
with the local artists. Travelers are coming here from all over the world, and my products are now used throughout the United States and
internationally in Japan, New Zealand, throughout Europe, South Africa, Canada, and even as remote a place as Mongolia! Just to name a few!
WHERE TO FIND HER:
Ali & her signature Bowerbird &.Company products can be found at the Growers & Crafters Market in Medford on Thursdays 8:30am-1:30pm
and at the Lithia Artisans Market on Saturdays in Ashland from 10am-6pm. Check her website www.bowerbirdandco.com to see what holiday
shows she'll be attending this winter.
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About The Author:
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I am a local artisan specializing in making stone beads. I write articles for the Locals Guide, primarily the artisan profile interviews.
htto://thestonebead.wordpress.com
3 of 9 10/10/12 12:57 PM
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Ashland, Oregon Ashland Oregon LocalsGuide People You Know-Places You Go
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Written by: Marcus Scott
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Jewelry Artist Juan Garcia Alfaro with his wife,
Rachelle, and their baby girl, Esperarve, at Lithia
Artisans Market.
I met Juan Garcia Alfaro almost two months ago. I turned around one day to see that there was a new jewelry artist setting up shop along Calle
Guanajuato. I had never seen this artist and walked up to introduce myself. Juan held out his hand in mutual respect and we shared the universal
handshake of friendship. He introduced me to his son who was helping in his booth. Germanic, his high school aged son, sat enjoying the
comradery of the Ashland street artisans. What struck me instantly, beside the kindness in this man, was the excellence of workmanship shown in
the jewelry under the glass display cases. The words that instantly came to my mind were authentic, classic, and hand-wrought. "This guy", I said
to myself, "is a real pro". Juan, his wife Rachelle, their son Gerordmo, and the newest, baby Espemrne, are new to the Ashland area and excited to
make the Rogue Valley their new home. Welcome, Juan and family, to the Lithia Artisans Market! Here is the interview...
Marcus... You grew up in Mexico City. Can you tell us how living in the city influenced you as an artisan?
1 of 9 10/10/12 1:10 PM
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• Juan... Mexico City is a cosmopolitan city-it receives such a mixture of people from different cultures and traditions. There is a rich variety of
art work there. The traditional artisans have always come to Mexico City to sell their work-until the first generations of urban artists began...
These first generations of urban artists-of which 1 consider myself a pan - began to create traditionally using modern materials that the city
offered to us. We created 'urban art,' as a concept.
I was bom in the semi-rural outskirts of Mexico City, Mexico. At the age of 13, I knew I wanted to be an artisan, and began to pursue a path as a
jeweler. As art school was out of reach for me I studied under Mexican "Popular", or "Folk", artists. These traditional artisans and their art are
what first inspired me.
c.
Pendant by Juan Garcia A[faro called "My Wife".
Marcus... Describe for us the traditional process you are talking about?
Juan... I consider myself an Artisan Silver and Goldsmith. My pieces are completely handcrafted, the only purchased item is raw silver and gold.
From there, I melt the metal, deciding as I go whether to shape it into wire, sheets, half rounds, bezel, etc.. like this 1 begin see where the piece
will take me. From start to end, all is hand-crafted-the chain work, the clasps, the filigree, the earring backings, the leaves, the wire applications,
the granulation-without machines, using very basic tools. My style of work has to do with the place where he grew up-where access to tools
was very limited. I was constantly pushing the limits of my imagination to create.
Marcus... How long have you been creating your art form?
Joan... More than 25 years.
Marcur... Your pieces are very unique. How would you describe yaw style?
Juan... Wow! I work in a lot of different styles. Traditional Mexican/Pre-Colombian, Contemporary, and my own version of Art Nouveau. I
work with semi-precious and precious stones and I an always integrating new elements into my designs. I never make molds - each piece of
jewelry is a one-of-a-kind.
My intention is to make a connection between my work and the customer-offering honest work and sincerity. I want everyone to be able to enjoy
my work. The fors and designs I see in the world call upon me to give life and expression of that beauty through my jewelry.
Marcus... Can you tell me about the experience of apprenticing on the streets of Mexico?
Juan... At a very young age-like 9 or 10 years old-we were required to do artwork at my school. I had a really exceptional teacher at this time
who taught us techniques for working with textile. At that moment I was trapped in a love for creating things with my hands. When I was 13
years old 1 decided that I wanted to be a jeweler-I did not have any idea of how to begin because there didn't exist places nearby where I could
buy tools or materials. I had to use the materials that I had around me, mostly 'leftovers' from the work my Dad did as a carpenter and
construction worker and craftsman.
With time I decided to begin to sell the things 1 was making.
At this time I begin to meet 'old school' artists who did not share openly their wisdom and knowledge of their crafts. The only for to learn was
2 of 9 10/10/12 1:10 PM
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• by watching them work. I could not ask. I could only watch. After much time, they would give me some 'Ups'- not 'classes' but Ups...of how to
begin to make earrings that would sell. After these 'street apprenticeships', I taught myself.
Filigree Necklace by Juan Garcia A[faro.
Saturdays at Lithia Artisans Market.
Marcus... You are new to the Ashland area. Why did you choose this area to move?
Juan... We moved to Ashland because of the necessities of my family. We also believe that Ashland can be a place for us to preserve the tradition
of my work.
Marcus... Where did you move from?
Juan... We moved from a place called Chalmita, in the state of Mexico, Mexico. We then spent one year in Los Angeles with my wife's family
before moving to Ashland.
Marcus... What is different about living here and doing the Lithia Artisans Market as opposed to selling your wares in Mexico City?
Juan... There is a big difference between selling my work at Lithia Market in Ashland or in Mexico City. Here at Litihia Artisans Market the
process to sell is so easy, so formal, and so'coffect'-you apply, your art is juried, you are accepted, and you can sell at the artisans market. In
Mexico City, selling your work at a street market is looked down upon, especially by the government. The urban artist is violently repressed and
limited in spaces for the exposition and sale of their own work. There is no 'formal' application process to sell your work in Mexico City.
Artisans selling at markets all have to deal with corruption throughout the different spheres of government-specifically the branch of the
goverment that is dedicated to traditional artisans.
Morcus... What inspires you when you are making your jewelry?
Joan... When I am making my jewelry, inspiration simply arrives.
Traditional hoop earrings by Juan Garcia Allow. He can be
found Saturdays behind the plaza in downtown Ashland,
Oregon.
3 of 9 10/10/12 1:10 PM
u uuu vuswu ~...u.v-vtssrse...g a.uuuw muusau vss.gs... w... uue.numuwsuses,6vaaasn.aseewus..wu„iu....-;pss.m-usaussruyuvs...
e Marcus... All of your jewelry are truly one of a kind pieces. What are the techniques you use when creating your jewelry?
Juan... I use no molds in my work. The techniques I use when creating my jewelry are: Filigree, Granulation, soldering, wire-wrapping, and
metal texturing.
Marcus... What does your family mean to you? Is your son or wife involved in the business?
Juan... My family is the main reason that I believe in my work, they are the reason that I continue my work. My wife is my 'quality control; and
the'critic of my designs'. My son is the'refection of my example.' My baby girl is my Hope.
Marcus... One of the common misperceptions in our country these days is that everyone from Mexico is here illegally. You went through the
proper steps to come here legally. Can you tell us briefly what that was like and how long it took?
Juan... Our immigration process was really long and hard and costly and really created a tremendous amount of stress - not just for our
immediate family, but our entire extended family. It took us about 3 years to get our green cards ...and this is 'short' in comparison to the families
we met along our 'immigration'journey.
Marcus... Why should people buy your arl?
Juan... I offer jewelry that is tastefully created, with the feel of something made entirely by hand-very different from jewelry manufactured by
companies. The people have the opportunity to see what is behind a ring, what is behind a necklace-an honest person, upholding a long
tradition.
I am available to take custom orders like wedding bands. I am at the Lithia Artisans Market most Saturdays.
For more information go to www.garcimifaroartiewelrv.com
Or, come by and see Juan at Lithia Artisans Market lilhiaanisansmarke!.com.'Like' us at wwsy.Gtcebook.com/LithiaArtisansMarket.
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About The Author:
Marcos Scott
I am a local artisan specializing in making stone beads. I write articles for the Locals Guide, primarily the artisan profile interviews.
htlo, //thestonebead.word oress.com
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Carola Marashi. Subscribed -University of Houston-Clear Lake-Mastees in Transpersonal
Psychology.
Very Informative! I now have a greater appreciation for her products. Thank you for going in
depth and penonall
Reply - 2 - Unlike - Follow Post August 30 at 30:36am
Stella Lyn . Birth and Postpartum Doula, Community Herbalist, Apprentice Midwife at self
employed
Great Interview! These ladies are the real deal when it comes to listening to mothers and
providing individualized care. If gentle, safe, loving birth is what you want, this is the
practice! I am so glad these three midwives are available to mothers In the Valleyl
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4 of 9 10/10/12 1:10 PM
Expanding the Lithia
Artisans Market into the a is ~►f~1Sd11S I . a~ et
Plaza is mutually beneficial Ashland, Oregon
to both artisans and
retailers. It will:
OUR VISION FOR
• Bring more foot traffic
into downtown, increasing THE DOWNTOWN
sales exposure for your PLAZA
business.
• Infuse the Plaza with the Over 90 craftspeople and. artists
health and vitality of an belong to Ithia Artisans Market of
ever-changing Ashland, which in 2012 enters its 29thyear
marketplace. on the Calle Guanajuato. We love the Calle
• Enhance the cultural but need more space for our artists and better
ambiance of Ashland. visibility to the public.
C ,a
• Celebrate regional art and
artisans unique to
Southern Oregon. Shop Local-It Matters
• Bring live acoustic music
to the downtown Plaza:
LITHIA ARTISANS MARKET
v
.ra. ''I pis -
PO Box 3585
Ashland, OR 97520
Contact Pat at:
Phone: 541-621-1777
E-mail: l ith iaa rtisans@g mai l-co m
The Lithia Artisans Market is planning to ask
permission from the City of Ashland to use i t
the nine parking spaces shown to the right '
for the artisans market on Saturdays and
Sundays, April through November. We would
lovd to have your support.
Our vision, illustrated below, provides a 3 .y
welcoming, festive and thriving environment
that draws more locals and visitors alike. The
loss of nine parking spaces will be offset by the increase in foot traffic between the
Farmers' Market and the Plaza.
Open-air markets add vitality to our downtown and
1
encourage customers to spend more time and
money, not just in the market, but in nearby shops
9 and restaurants. A recent survey of 800 individuals
by ProjectforPublic• Spaces showed that 60% of
market shoppers also visited nearby stores and
Hg restaurants on the same day.
1: '.1 b)?i _ Ashland's outdoor markets offer walking-friendly
destinations, safe and comfortable spaces for
` socializing.outdoors and a.place for. the community
~t V n L t'ot"1 to gather.
¢kH ' . N
♦ t1j` ~x Expanding the Lithia Artisans Market to the Plaza
®r :~3 y t will be good for nearby merchants, restaurants, local
artists, visitors and residents alike and will help
stimulate our local economy.
W
~ i
f y,'
r' T`
April 1 thromyll November 15th
INERY WEEKI:NI> SAT. 10-6 1 SUN. 11-5
ALONG TI Ili CRITK, RI'.I ]IN[)'[-[ 11; PI AZA
Downrown AsIdind
rul
,121 A 4 /
40 Arrisrs & Fine Craftspcoplc
Locally Urearcd
I_IVI:MUSIU yp'QY;~
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Photo by Map 3akwa A
CAI.LIi GUANAJUATO Ncxr ro Lirhi,i 1';uk
AshImid, Orceon
www.LithiaArtisansMarket.com
Lithla 61saflS Market
Ashland, Oregon
For over 25 years the artists and fine
craftspeople from Southern Oregon and
Northern California have transformed the quaint
alley along Ashland Creek into an exciting open-
air marketplace. Every Saturday and Sunday
from early April until mid November, the Lithia
Artisans Market features handcrafted clothing,
jewelry, pottery, woodwork, metal art,
photography, hats, fine art, sculpture, body care,
and much more.
The Artisans Market offers the unique
opportunity to meet the artist who created the
art and to purchase the piece directly from the
artisan. Over 40 booths are on display every
weekend throughout the season. Stroll along
Calle Guanajuato, chat with the artists and
experience their unique creations. Enjoy the
sounds of Ashland's local musicians and feast at
the creek-side open air restaurants.
The Lithia Artisans Market, located
behind the plaza in downtown Ashland, Oregon,
is a must-see attraction for locals and tourists
alike.
14
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Oregon ~Q
shakespear
Fu4vaI
V
www.LithiaArtisansMarket.com
p OW W IMrc~c StM1. 541 535.3193
l
uaISatIS arcet SHARE YOUR THOUGHTS
WITH THE ARTISANS
Please let us know what you think of our proposal-we greatly
appreciate your input. Thank you!
PLEASE
PLACE
STAMP
HERE
Lithia Artisans Market
PO Box 3585
Ashland, OR 97520
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(JeSoc,.r~. Gtr t . Ic, . io,3
Members:
Sue Crader (Ashland Supportive Housing)
Alan Berlin (SOCFC)
Amy Thuren (SO American Red Cross) Susan Moen (Jackson County SART)
Angela Fleischer (Community Works) Tom Cole (Kids Unlimited)
Anne Golden (Mediation Worksj Tom Gunderson (Family Solutions)
Anne Manlove (4-H) Tricia Prendergast (Magdalene Home)
Becky Snyder (RV Manor) Trish Welch (The ARC of Jackson County)
Betty Welden (Southern Oregon Goodwill)
Upper Rogue Community Center
Brad Russell (RV YMCA)
Captains Martin & Nancy Cooper (Salvation Army)
Chris Mason (Addictions Recovery)
Dave Toler (RV COG)
Deb Silva (Children's Dental Clinic)
Debra Fee Jing Lee (Center for Nonprofit Legal Services)
Elissa Denton (Planned Parenthood) Help Now! Advocacy Center
Emilie Sampson (Families for Community) ICCA/CERVS
Gayle Byrne (SO Goodwill) JC Children's Advocacy Center
Ginger Lee (Community Works) Options for Southern Oregon, Inc.
Jackie Schad (ACCESS) Pathway Enterprises, Inc.
Jan Safley (Consumer Credit Counseling) SDS RVCOG Food & Friends
Jennifer Mylenek (CASA) SOASTC
Joy Reich (home) So. Ore Child Study and Treatment Center
Julie Brimble (SMART of Southern Oregon)
Southern Oregon Drug Awareness
Julie Lockhart (WinterSpring) Southern Oregon Permaculture Institute
Kate Baxted (DASIL) (SOPI)
Katie Shepard Rasmussen (Easter Seals) Trinity Respite Center
Keziah Hinchen (Home) Women's Transition Committee
Keziah Hinchen (Phoenix Counseling Center) Maslow Project
St. Vincent De Paul
Laura Janus Hearts with a Mission
Leslie Lanes (Rose Circle)
Lisa Molnar (Ashland YMCA)
Mary-Curtis Gramley (Family Nurturing Center)
Peg Crowley (Community Health Center)
Planned Parenthood of SW Oregon
Rebecca Tree (Roots and Wings)
Rita Sullivan (OnT.rack)
Robert Lieberman (Kairos)
Roger Hassenpflug (Living.Opps)