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HomeMy WebLinkAbout2023-04-21 Public Arts PACKET Public Arts Advisory CommitteeAgenda . April 21, 2023 Regular Meeting 8:30 10:00 a.m. Location: Community Development Building 51 Winburn Way, Siskiyou Room I.CALL TO ORDER II.LAND ACKNOWLEGEMENT the Ikirakutsum Band of the Shasta Nation, including the original past indigenous inhabitants, as well as the diverse Native communities who make their home here today. We also recognize and acknowledge the III.APPROVAL OF MINUTES a)Public Arts Commission Regular Meeting, November 18, 2022 b)The December 16, 2022 and March 17, 2023 meetings of the PAAC lacked a thth quorum thus no actions were taken and no minutes are provided. IV.PUBLIC FORUM (for items not on the agenda) V.LIASON REPORTS: Council Liaison Gina DuQuenne; APRC Liaison Leslie Eldridge (absent) VI.ACTION ITEMS a)Butler-Perozzi Fountain: Request for recommendation Presenter - Mike Gardiner, Ashland Parks Foundation b)PAAC regular meeting time change: Suggested 4:00-5:30 on the Third Thursday of the month and allow In Person and Zoom participation. c)PAAC endorsement of the May 20-21 st proclamation for Art, Food and Wine Week for May 15-21, 2023. st d)PAAC review and approval of Ashland Art Collection Rack Cards e)Consider a motion to Designate the Downtown Historic district as the next Marking Ashland Places (MAP) district, in agreement with the Historic Preservation Advisory Committee. VII.OTHER BUSINESS a)-save the date 4/27 @700pm at 255 Helman Street (John Pugh Studio) b)Micah Blacklight sculpture project: Public Event Save the date 6/18 Juneteenth picnic gathering in Ashland Community Park. c)Exploring the creation of an Ashland Public Art Foundation, as a 501c3 Not For Profit, to enhance private funding of public art. d)Update on Status of Memorandum of Understanding for ODOT and Ashland to paint Traffic Control Boxes on ODOT right of ways. I.ADJOURNMENT: Next Meeting Date: TBD Note: Anyone wishing to speak at any Public Arts Advisory Committee meeting is encouraged to do so. After you have been recognized by the Chair, give your name and City of residence. You will then be allowed to speak. Please note the public testimony may be limited by the Chair Page 1 of 1 PUBLIC ARTS COMMISSION REGULAR MEETING November 18, 2022 DRAFTMinutes I.CALL TO ORDER Chair Ken Engelundcalled the meeting to order at 8:33a.m. via Zoom. Commissioners Present:Staff Present: Ken EngelundJohanna Tuthill, Associate Planner Cassie Preskenis Laura BloomAPRC Liaison: Stanley SmithLeslie Eldridge Destiny Young Joel Frank Council Liaison: Stefani Seffinger Absent Members:Members of the Public: II.ADDITIONS TO THE AGENDA - None III.PUBLIC FORUM – Nomember of the public wished to speak. IV.APPROVAL OF MINUTES Public Arts CommissionRegular Meeting,October 21, 2022 Commissioners Preskenis/Smithm/s to approve theminutes with no corrections. Voice Vote: ALL AYES. Motion passed 5-0. V.LIAISON REPORTS APRC Liaison: Eldridge Community Development Liaison: Tuthill City Council Liaison: Councilor Seffinger VI.OTHER BUSINESS Consideration for in person 3rd Thursday evening meetings Consideration for College and High School representatives Commissioners Preskenis/Smithm/s to establish the position of High School Student Representative from Ashland High School, and College Student Representative on the Public Arts Commission/Public Arts Advisory Committee, for one academic year in a participatory but non-voting role in meetings, discussions, considerations of public art by the Commission/Committee and other agenda items, Those to be considered for appointment to be endorsed and recommended by the appropriate offices of the institutions. Voice Vote: ALL AYES. Motion passed 6-0. In compliance with the Americans with Disabilities Act, if you need special assistance to participate in this meeting, please contact the Community Development office at 541-488-5305 (TTY phone is 1-800-735-2900). Notification 48 hours prior to the meeting will enablethe City to make reasonable arrangements to ensure accessibility to the meeting (28 CFR 35.102-35.104 ADA Title 1). VII.PAC WORKPLAN and PROJECT UPDATES Golden Connections Medallions Installations Status: Plaque for Nourishing Our Community Commissioners Frank/Preskenism/sto request funding for the plaque, the mounting of the plaque, and the purchase of the stone.Voice Vote: ALL AYES. Motion passed 6-0. Status: John Pugh’s Mural Project Status: Public Forum with Micah Blacklight’s Project Status: Public Art Collection Rack Cards Status: ODOT MOU response Update on Ashland Gateway Project Considerations: Asphalt Murals VIII.ADJOURNMENT - 9:31AM Next Meeting:December 16, 2022 In compliance with the Americans with Disabilities Act, if you need special assistance to participate in this meeting, please contact the Community Development office at 541-488-5305 (TTY phone is 1-800-735-2900). Notification 48 hours prior to the meeting will enablethe City to make reasonable arrangements to ensure accessibility to the meeting (28 CFR 35.102-35.104 ADA Title 1). Public Arts Advisory Committee Butler-Perozzi Fountain: Request for recommendation ASHLANDHISTORICCOMMISSION Background Historic Commission Motion/Recommendation Commissioners Hovenkamp/Repp m/s for the Historic Commission to endorse the concept from the consultant for preservation/restoration of the Butler-Perozzi Fountain and its foundation, with the understanding that there will be areas that require replacement. ALL AYES. Motion Passed. 1 ASHLANDPARKS &RECREATION COMMISSION 340 S PIONEER STREET • ASHLAND, OREGON 97520 COMMISSIONERS: Michael A. Black, AICP Director Rick Landt Jim Bachman 541.488.5340 Leslie Eldridge AshlandParksandRec.org Jim Lewis parksinfo@ashland.or.us Justin Adams Memorandum TO: City of Ashland Planning Department FROM: Michael Black, Director DATE: January 30, 2023 SUBJECT: Butler-Perozzi Fountain SITUATION The Ashland Parks and Recreation Commission (“APRC”) Board of Commissioners (the “Commissioners”) recently received a presentation from the Ashland Parks Foundation (the “Foundation”) on the status of fundraising and project evaluation for the restoration or replacement of the Butler-Perozzi Fountain (the “Fountain”) in Lithia Park. The Foundation has agreed to fund the Fountain project; however, the determination of whether the Fountain should be replaced or preserved has been proffered to the public at-large. BACKGROUND A qualified architectural firm has provided a thorough review of the status of the Fountain and a recommendation for next steps for preservation. The firm – Architectural Resource Group (ARG) – recommended that the Commissioners consider preservation/restoration over replacement. Since this recommendation has not been vetted with the public, Commissioners have requested a public process for public involvement. Additionally, since the Fountain is contributing historic resource for Lithia Park, the City’s Historic Commission should also provide a recommendation on the disposition of the Fountain. ASSESSMENT The Fountain is a significant contributor to the experience of Lithia Park and many people have expressed their concerns for its dilapidated condition. The Fountain is dire need of restoration or replacement, and the Ashland Parks Foundation has taken on the project with a desire to raise the funds needed for the project. The project scope needs to be clearer for the Foundation to continue to raise funds. For that reason, the Commissioners need to decide to follow ARG’s recommendation for preservation or choose a different route. Paramount to this decision will be the information gathered by over 500 responses from the the public on their preference on the project. APRC will be reviewing the public comments on Feb. 8 th in their public meeting. Some effort has been made to identify what “preservation” vs. “replacement” means. The following is from the recommendation of ARG, and can ben found on page 23 of their report (attached). DISCUSSION: REHABILITATION VS. REPLACEMENT The fountain overall is in fair condition, and the terrace is in good to fair condition. A project such as the one outlined in our recommendations followed by regular maintenance, will extend the life of the fountain for another 30-50 years. Maintenance is a key factor in the lifespan of a rehabilitated or new fountain. Even a completely new fountain would require maintenance on a similar timeline. Previous discussions about the fountain have included the possibility of replacement of the marble components in a more durable material such as granite (since the basin and mechanical systems will be replaced in their entirety, the only element that would be considered rehabilitated would be the central tiered element. When considering rehabilitation verses replacement, it is important to understand how each option will extend the life of the fountain intervention included in our recommendations is related to the concrete work of the fountain and terrace, not the marble fountain itself. Replacement of the concrete or marble elements with granite facsimiles would have a major impact on the aesthetic of the fountain, in addition to the upfront cost of the material and workmanship to replicate the existing level of carving detail in the marble. Repair of the marble elements of the fountain are currently priced at $78,894.50 in the cost estimate. Replacement of these pieces in granite and the cost to carve them to match the ti tion. Staff is asking the Historic Commission to review the information that has been provided in the accompanying report by ARG and ultimately make a recommendation on the path the Historic Commission would prefer APRC follows - preservation or replacement. Electronic Attachment Butler Perozzi Fountain Assessment and Recommendations CONDITION ASSESSMENT AND RECOMMENDATIONS Architecture Planning Butler-Perozzi Fountain Conservation Lithia Park | July 26, 2022 CLIENT: ARCHITECT: Ashland, OR 97520 Associate, Conservator FOUNTAIN CONSULTANT: COST ESTIMATE: Inc. Table of Contents .........................................................................................................................................1 1.1 1.2 ........................................................................................................................................5 2.1 2.2 2.3 ...........................................................................................7 .............................................................................................................................19 .............................................................................................................................................2 C. Uijt!qbhf!joufoujpobmmz!mfgu!cmbol/ EXECUTIVE SUMMARY Gpvoubjo!wjfxfe!gspn!tufqt!up!Hsbojuf!Tusffu/ Architectural Resources Group | Butler-Perozzi Fountain1 Jouspevdujpo 2Architectural Resources Group | Butler-Perozzi Fountain Introduction Butler-Perozzi Fountain, circa bowls. Butler-Perrozi Fountain, undated. fountain pool, toward the lower currently visible. Architectural Resources Group | Butler-Perozzi Fountain3 Uijt!qbhf!joufoujpobmmz!mfgu!cmbol/ ON-SITE ASSESSMENT COST ESTIMATE Architectural Resources Group | Butler-Perozzi Fountain5 GUIDELINES Architectural Resources Group | Butler-Perozzi Fountain SUMMARY OF CONDITIONS Architectural Resources Group | Butler-Perozzi Fountain7 Fyjtujoh!Dpoejujpot FOUNTAIN CONDITIONS Xbufs!tqmbtift!pvu!pg!uif!fbtu!foe!pg!uif!gpvoubjo-!bu!uif! upq!pg!uif!tubjst/ Xbufs!tqmbtift!pvu!pg!uif!fbtu!foe!pg!uif!gpvoubjo-!bu!uif! upq!pg!uif!tubjst/ 8Architectural Resources Group | Butler-Perozzi Fountain Fyjtujoh!Dpoejujpot Cspo{f!ejtdpmpsbujpo!bu!uif!gpvoubjo“t!tubuvf/ Dsbdlt!boe!tqbmmt!bu!uif!vqqfs!qfeftubm/ Architectural Resources Group | Butler-Perozzi Fountain9 Fyjtujoh!Dpoejujpot Tqbmmt!bu!uif!vqqfs!qfeftubm/ Ebnbhfe!hbshpzmft!bu!mpxfs!qfeftubm/!Opuf!uif!qjqf! tujdljoh!pvu!pg!uif!fmfnfou!po!uif!mfgu/ Xfbuifsfe!wfjojoh!jo!mpxfs!qfeftubm/!Opuf!uif! evudinbo!sfqbjs!joejdbufe!xjui!bo!bsspx/ 10Architectural Resources Group | Butler-Perozzi Fountain Fyjtujoh!Dpoejujpot Dsbdl!)sfe*!boe!evudinbo!sfqbjst!)cmvf*!jo!mpxfs!cpxm/! Opuf!uif!pqfo!kpjou!cfuxffo!uif!qmbtufs!boe!uif!nbscmf/ Qsfwjpvt!sfqbjst!boe!pqfo!kpjout!bu!mpxfs!cpxm/!Opuf!uif! qmbtufs!gbjmvsf!boe!fyqptfe!dpodsfuf!bu!uif!cpuupn!sjhiu/ Dsbdlt!jo!qmbtufs!pwfs!dpodsfuf!cbtf/ Architectural Resources Group | Butler-Perozzi Fountain11 Fyjtujoh!Dpoejujpot Qmbtufs!mptt!bu!dpodsfuf!cbtf/!Opuf!qmbtufs!mptt!cfmpx!uif! Njttjoh!boe!tpjmfe!qfsjnfufs!ujmft/ Dpodsfuf!mptt!bu!pvufs!sjn!pg!gpvoubjo!qppm/ 12Architectural Resources Group | Butler-Perozzi Fountain Fyjtujoh!Dpoejujpot Dpodsfuf!dsbdljoh-!tqbmmt-!boe!tpjmjoh!bu!pvufs!sjn!pg! gpvoubjo!qppm/ Dpodsfuf!dsbdljoh-!tqbmmt-!boe!tpjmjoh!bu!pvufs!sjn!pg! gpvoubjo!qppm/ Dpodsfuf!dsbdljoh-!tqbmmt-!boe!tpjmjoh!bu!pvufs!sjn!pg! gpvoubjo!qppm/ Architectural Resources Group | Butler-Perozzi Fountain13 Fyjtujoh!Dpoejujpot TERRACE CONDITIONS Dpodsfuf!dsbdljoh-!tqbmmt-!boe!tpjmjoh!bu!ufssbdf!dpmvno/ Dpodsfuf!dsbdljoh-!tqbmmt-!boe!tpjmjoh!bu!ufssbdf! dpmvnot/ Dpodsfuf!dsbdljoh-!tqbmmt-!boe!tpjmjoh!bu!mjhiu!qptut/ 14Architectural Resources Group | Butler-Perozzi Fountain Fyjtujoh!Dpoejujpot Dpodsfuf!dsbdljoh!boe!tqbmmt!bu!mjhiu!qptu/ Dpodsfuf!dsbdlt!)sfe*!boe!xbsqfe!xppe!tusjqt!jo! Architectural Resources Group | Butler-Perozzi Fountain15 Fyjtujoh!Dpoejujpot MAIN STAIRCASE Dsbdlt!jo!diffl!xbmm!boe!gbjmfe!sfqbjst!boe!dsbdlt!jo! uif!tubjst/! Vofwfo!boe!gbjmfe!sfqbjst!bu!uif!mpxfs!tubjst/! Gbjmfe!sfqbjst!boe!tnbmm!tqbmmt!bu!mpxfs!tubjst/ Architectural Resources Group | Butler-Perozzi Fountain Fyjtujoh!Dpoejujpot Dsbdlt!jo!uif!diffl!xbmm/!Uijt!dsbdl!jt!bmtp!wjtjcmf!bu!uif! fyufsjps!gbdf/ Dsbdlt!jo!uif!pvufs!gbdf!pg!uif!tubjsdbtf/!Uijt!dsbdl!jt! bmtp!wjtjcmf!bu!uif!joufsjps!gbdf/ Dsbdlt!jo!uif!pvufs!gbdf!pg!uif!tubjsdbtf/ Architectural Resources Group | Butler-Perozzi Fountain17 Uijt!qbhf!joufoujpobmmz!mfgu!cmbol/ Tfdujpo!Gpvs FOUNTAIN Architectural Resources Group | Butler-Perozzi Fountain19 Sfdpnnfoebujpot 20Architectural Resources Group | Butler-Perozzi Fountain Sfdpnnfoebujpot 2 1 Architectural Resources Group | Butler-Perozzi Fountain21 Sfdpnnfoebujpot TERRACE STAIRS Tubjsdbtf!up!Hsbojuf!Tusffu-!up!uif!xftu!pg!uif!ufssbdf/! Opuf!uibu!uijt!jt!opu!b!tjhofe!ps!qvcmjdj{fe!qbuixbz/ 22Architectural Resources Group | Butler-Perozzi Fountain EJTDVTTJPO;!SFIBCJMJUBUJPO!WT/!SFQMBDFNFOU! 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Sfqbjs!pg!uif!nbscmf!fmfnfout!pg!uif!gpvoubjo!bsf!dvssfoumz!qsjdfe!bu!%89-9:5/61!! jo!uif!dptu!ft€!nbuf/!Sfqmbdfnfou!pg!uiftf!qjfdft!jo!hsbojuf!boe!uif!dptu!up!dbswf! uifn!up!nbudi!uif!ijtupsjd!dpoŽ!hvsb€!po!dpvme!dptu!uif!tbnf-!jg!opu!npsf-!boe!ju! xpvme!cf!wfsz!ej!!dvmu!up!nbudi!uif!fybdu!ijtupsjd!dpoŽ!hvsb€!po/! Bsdijufduvsbm!Sftpvsdft!Hspvq!!}!Cvumfs.Qfsp{{j!Gpvoubjo34 RDP-1 SERIES, DIRECT-BURIAL FIBERGLASS PUMP VAULT (877) 794-1802 BREAKER PANEL W/ PROGRAMMABLE TIME CLOCK (IN LID) 3" INTAKE VENT 7-1/4" PADLOCKABLE RPVC-300 (SOLD HINGED LID 3" EXHAUST VENT SEPARATELY. SEE 3" RPVC-300 (SOLD SEPARATELY. CATALOG SHEET NO. SEE CATALOG SHEET NO. 7.301) 7.301) FINISHED GRADE 2'-7-7/8" WARNING: 2" SUCTION FOR DRY HOLE INSTALLATION ONLY MOLDED FIBERGLASS TIE-DOWN BRACKET (TYP.) 2" DISPLAY DISCHARGE 2" FILTERED DISCHARGE REINFORCED CONCRETE SLAB SUMP PUMP & S.S. HARDWARE (BY INSTALLER) SHOWN WITH OPTIONAL LIGHTING CIRCUIT 2" PVC (Socket) FRONT ELEVATION DRAIN CONNECTION 3'-4" SQ. LID HINGES THIS SIDE CARTRIDGE FILTER PUMP SUMP PUMP WARNING: FOR 'DRY HOLE' (OPTIONAL EROSION INSTALLATION ONLY! CHEMICAL FEEDER AVAILABLE UPON REQUEST) PLAN VIEW SINGLE SPEED HORSEPOWER PERFORMANCE CURVE @ 3,450 RPM 110 TECHNICAL DATA FEET OF HEAD PRESSURE 100 AVAILABLE PUMP 90 MODEL #HPSYSTEM POWER OPTIONS 80 70 RDP-1-0501/2 120/208-240V,1PH 60 3/4 RDP-1-075120/208-240V,1PH 50 3 RDP-1-100 1120/208-240V,1PH, or 208-240-460V, 3PH 40 2 30 208-240V,1PH, or 208-240-460V, 3PH RDP-1-1501 1/2 1 1/2 1 20 3/4 208-240V,1PH, or 208-240-460V, 3PH RDP-1-2002 1/2 10 3208-240V,1PH, or 208-240-460V, 3PH RDP-1-300 0 102030405060708090100120140160 *NOTE: THREE-PHASE VAULTS REQUIRE AN OPTIONAL 110130150 U.S. GALLONS PER MINUTE U.L. 508 LISTED CONTROL PANEL UPGRADE. SPECIFICATION DATA: : Series 1 Direct Burial Pump Vault, consisting of a 3'-4" sq. x 2'-8" deep heavy duty FRP vault with white gel-coat interior and brown gel-coat exterior, furnished with 36" sq. fiberglass reinforced plastic lid with stainless steel piano hinge attachment and lock hardware (LOCK BY INSTALLER), containing a self-priming display pump with integral suction strainer, RCCF-050; 50 sq. ft. cartridge filter unit, 3" vent connections with 105 CFM vent fan, 2" floor drain; RTCP-PCLC; UL listed time clocks and power distribution breakers (Class A GFCI as required). Unit is pre-wired, pre-plumbed (Schedule 80 PVC) and factory tested prior to shipment. See power requirement above. DESIGN/APPLICATION DATA: Roman Fountains RDP-Series 1, direct burial pump stations are designed for small fountains where concrete pump stations are not practical and interior mechanical space is not available. All units are factory assembled and tested prior to shipment to job site, minimizing installation and maintenance costs. Systems can be furnished with optional fill manifold, G.F.C.I. protected lighting circuit and erosion feeder; consult factory. NOTES:1.Information on this sheet represents manufacturers' typical unit. Variations may occur in specified unit to meet fountain design and mechanical requirements. 2.Hatch opening must be located in flood-safe area. 3.Slope finished grade away from pump module. 4.Protect pump module gravity drain from back flow and gas. 5.Top of pump module must be at, or below lowest pool water level.DRAWING NO. 6.Options for Tile-Set Hatch and Diamond Plate Hatch available. Consult factory. 7.201 7.Due to our continuing product improvement program, Roman Fountains reserves the right to change the specifications w/o notice. © ITEM #_____QTY._____ COPYRIGHT 2019 ROMAN FOUNTAINS www.romanfountains.com ALL RIGHTS RESERVED R1_07-21-19 SAN FRANCISCOLOS ANGELESPORTLAND Pier 9, The Embarcadero 360 E. 2nd Street 720 SW Washington Street Suite 107 Suite 225 Suite 605 San Francisco, California 94111 Los Angeles, CA 90012 Portland, OR 97205 T: 415.421.1680 T: 626.583.1401 T: 971.256.5324 F: 415.421.0127 BSHdsfbuf/dpn Public Arts Advisory Committee A PROCLAMATION OF ART, FOOD, AND WINE WEEK IN ASHLAND WHEREAS, the City of Ashland is renowned for its vibrant arts community, thriving culinary scene, and exceptional wineries; and WHEREAS, the cultural and economic benefits of art, food, and wine are well-established, and these industries are a vital component of the City's economy; and WHEREAS, the Ashland Gallery Association plays a significant role in promoting the visual arts in the region and fostering a vibrant creative community; and WHEREAS, the Ashland Gallery Association's annual “Taste of Ashland” event showcases the best of the region's artistic, culinary, and winemaking talents, and is an eagerly anticipated event that draws visitors from near and far; and WHEREAS, the Taste of Ashland event is a key part of the City's efforts to promote its arts and culture scene, support local businesses, and attract visitors; NOW, THEREFORE, be it proclaimed that the Ashland City Council hereby declares the week of May 15-21 as "Art, Food and Wine Week" in Ashland, and endorses the Ashland Gallery thst Association's 2023 Taste of Ashland event scheduled for Saturday, May 20th and Sunday, May 21st from 12:00 p.m. - 4:00 p.m. in Downtown Ashland. We urge all citizens to participate in the festivities and to recognize the important role that the arts, food, and wine industries play in promoting the economic vitality and cultural richness of our City. Dated this 2nd day of April 2023 ___________________________________ __________________________________ Tonya Graham, Mayor Melissa Huhtala, City Recorder Public Arts Advisory Committee Public Arts Collection Rack Cards DJUZ!PG!BTIMBOE Qvcmjd!Bsut!Nbq B!XBMLJOH!UPVS Z pv!bsf!jowjufe!up!wjtju!63!bsuxpslt!jo!uif!Qvcmjd!Bsu! Dpmmfdujpo!pg!pvs!cfbvujgvm!djuz!pg!Btimboe/!Uiftf!bsuxpslt! jodmvef!tdvmquvsft!pg!xppe-!tupof!boe!tuffm-!dfsbnjd! ujmf!nptbjdt-!dpmpsgvm!nvsbmt!boe!qbjoufe!vujmjuz!cpyft!uibu! csjhiufo!cvtz!tusffut/ Btimboe!djuj{fot!ibwf!cffo!efejdbufe!up!dvmuvsf-!bsu!boe! fevdbujpo!tjodf!uif!mbuf!2911t/!Uif!pmeftu!dpnnvojuz!pxofe! bsuxpsl!ebuft!gspn!2:21/ QVCMJD!BSU –! Bddfttjcmf!up!bmm-!mjlf!b!gsff nvtfvn –! Beet!cfbvuz!up!ebjmz!mjgf –! Qmbzgvm-!fevdbujpobm!ps dibmmfohjoh –! 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Dpmmfdujpo!pg!pvs!cfbvujgvm!djuz!pg!Btimboe/!Uiftf!bsuxpslt! jodmvef!tdvmquvsft!pg!xppe-!tupof!boe!tuffm-!dfsbnjd! ujmf!nptbjdt-!dpmpsgvm!nvsbmt!boe!qbjoufe!vujmjuz!cpyft!uibu! csjhiufo!cvtz!tusffut/ Btimboe!djuj{fot!ibwf!cffo!efejdbufe!up!dvmuvsf-!bsu!boe! fevdbujpo!tjodf!uif!mbuf!2911t/!Uif!pmeftu!dpnnvojuz!pxofe! bsuxpsl!ebuft!gspn!2:21/ QVCMJD!BSU –! Bddfttjcmf!up!bmm-!mjlf!b!gsff nvtfvn –! Beet!cfbvuz!up!ebjmz!mjgf –! Qmbzgvm-!fevdbujpobm!ps dibmmfohjoh –! Tifet!mjhiu!po!pvs!upxo ijtupsz –! Jouspevdft!vt!up!qfpqmft!xip mjwfe!ifsf!cfgpsf!vt –! Tusfohuifot!pvs!mpdbm dpnnvojuz Jo!beejujpo!up!uif!Qvcmjd!Bsu!dpm. pg!puifs!bsuxpslt!uispvhipvu! Btimboe/!Tff!bsu!jo!Btimboe! tdippmt-!Btimboe!Mjcsbsz-!djuz! qbslt!boe!jo!ofjhicpsippet! bspvoe!upxo/!Uif!Tpvuifso! Psfhpo!Vojwfstjuz!dbnqvt!ibt! pwfs!211!bsuxpslt/ Tdbo!uif!RS!dpef!ps!wjtju; hjt/btimboe/ps/vt0qvcmjdbsu B!mjtu!pg!Btimboe!bsu!hbmmfsjft;! btimboehbmmfsjft/dpn SFW.3134.14 ;!-!Mbvsb!Sbohfm!Wjmmbtfops<!-!Tvf!Tqsjohfs<!;! Mbt!Dbmmft!ef!HvbobkvbupSjp!Bnjtube GspouCbdl -!Kfoojgfs!Dpsjp-!Ebwje!Gsfz<!Pvumjgufs!Dbopf-!Ebo!Xbiqfqbi<! Hpmefo!DpoofdujpotUif! !Jtb!Nbsujof{!Nppsf CJQPD!pg!uif!Sphvf!Wbmmfz!Dfmfcsbujpo- Public Arts Advisory Committee